Actors and actresses and comedians and comediennes have exerted enormous influence over this society via TV and cinema. Assuming we should know more about the kind of people exerting that influence, the following. As will be shown, drug use, prostitution (i.e., trading sexual favors for movie roles), and mental illness are very common in Hollywood.

Various entertainment writers have drawn attention to the widespread use of illegal drugs in Hollywood. For example:

1) Roger Ebert: "Half the people in Hollywood seem to have gone through recovery from drugs and alcohol by now [1990]."¹

2) Jorge Casuso: "During the freewheeling '70s, Hollywood seemed to be riding a coke-induced high. On screen, recreational drugs were the props of the glamorous...[or] they were psychedelic aids in the search for Truth....Off-screen, drugs were part of the Hollywood mystique, seemingly taken as casually as a cocktail. Business deals were cut over vials of cocaine."²

3) Michael Kilian: "Hollywood was notorious [this said in 1984] for its nonchalantly open use of the drug [cocaine] by celebrities."³

4) Clarence Petersen wrote in 1992: Hollywood is "a mean town, run by weird men (mostly) addicted to power, money, deals, drugs, and bimbos."⁴

5) Walter Scott: "A knowledgeable studio executive tells Parade [magazine in 1996] that drug use is as big---or bigger---than ever in the movie capitol [Hollywood]."⁵

6) Hilary de Vries, in 1998, noted "Hollywood's renewed use of drugs."⁶

7) And film critic Michael Wilmington, in 1998, similarly observed that "a sort of heroin/cocaine chic exists in today's Hollywood."⁷

(Drug use in Hollywood is so "normal" one has to wonder just how corrupt the police force and judicial system have become. And don't Hollywood's drug users care that they are supporting murderous drug kingpins and gangs and armies in Columbia and Mexico and elsewhere?)

Wherever you find rampant drug use you will usually find prostitution. It's no big secret that there are a lot of prostitutes in Hollywood. What you may not know, though, is how many actors/actresses prostitute themselves in order to get acting work.

Actor Woody Harrelson admitted: "Every [acting] business I ever entered into in New York seemed to have a casting couch....I've seen so many people sleep with people they loathe in order to further their ambition."⁸

Actress Jenny McCarthy similarly acknowledged: "L.A. [Los Angeles] is the worst place in the world to try to feel secure. The girls that moved out there at the same time as me, I watched them fizzle and turn into walking on the streets at night. You see that in the movies and hear about casting couches---which I thought were just big fluffy couches---but you don't know till you experience it how corrupt it is. I was the only girl in my clique who wasn't sleeping with someone to get a job."⁹

Entertainment writer Peter Keough describes Hollywood as "a town where everyone is selling body and soul for fame and fortune, and all---especially women---are considered commodities."¹⁰

Entertainment writer Jon Anderson: "Insecure, seeking love, terrified of abandonment, needing public acclaim to quell their private demons, [such are] the creatures who rise to rule over the West Coast entertainment industry....[Former show-business writer Paul] Rosenfield offers evidence [in his book The Club Rules] that this is a world of shallow friendships, blocked emotions, [and] upwardly mobile sex."¹¹

A couple of business writers, Carol S. Pearson and Sharon Sievert, have noted that in an "organization where it has become normal to sacrifice one's personal life and one's ethical standards to career success...people with deep-seated psychological problems or serious addictions often rise to the top because pathology actually is a pre-condition for making the extraordinary personal sacrifices and ethical compromises required for success."¹² Hollywood offers much support for that observation.

For example, actress and comedienne Janeane Garofalo admitted: "My self-esteem is always in the toilet....Show business attracts the people with the lowest self-esteem."¹³

Actress and director Katt Shea had "trauma-filled elementary schooldays. 'I don't know why a certain kid is picked as the scapegoat,' she says, recalling 'very, very painful' years as an outcast in grade school....Shea admits she's 'probably socially dysfunctional.'...To combat her fears and to do something with her life, she chose acting."¹⁴

Actor Michael J. Fox also felt like somewhat of an outcast when young: "You become an actor because you're a 15-year-old geek. Ten years later you're on magazine covers because you focused your neuroses in a malleable craft."¹⁵

Actor Jeff Dorchen likewise admitted to feeling "geeky" when younger. He described his fellow college arts students as "a bunch of people who, like myself, had been geeks and weirdos in high school."¹⁶

Actress Claire Bloom described those in the theatrical profession thusly: "we were all outsiders of one kind or another."¹⁷

Outsiders, outcasts, geeks, weirdos, neurotics, people with low self-esteem, prostitutes, and drug users---these are the types of people who are exercising enormous influence over our children via the entertainment industry.

And speaking of kids, child-actors in Hollywood are subjected to their own special pressures. According to actor Christian Slater: "You know, I had this belief system for many years that I had to suffer for my art....I thought if I didn't suffer for my art, I couldn't get really deeply into a character....That's what they teach young kids in this [acting] business."¹⁸ All we need are more suffering children.

Actor and comedian John Cleese: "A lot of creative ability does come from neuroses, pain."¹⁹

It's not just creative ability that comes from pain and suffering, but, ironically, comedy too.

Comedian Alan King stated this about fellow comedians: "[T]here is some form of deprivation---a large family, an affliction, alcoholic parents---something in early life, that creates this need to attract, to be paid attention to, to be loved. It's been said many times, including by Lenny Bruce: 'If it hurts, wait a minute; it'll become comedy.'"²⁰

Comedian Jim "Carrey said his sense of humor 'has always come from desperation.' This desperation for attention led to his performance debut in 3rd grade."²¹

Rodney Dangerfield: "People think comedians are happy people....It's the reverse. When I was writing jokes when I was 15, it wasn't because I was happy. It was to escape my reality."²²

Comedienne Phyllis "Diller thinks there is one universal thing about standup comics. 'They usually are only children, or a child born late in life, or someone who has suffered some sense of abandonment. Check it out. It's true of almost all comics. Comics are searching for love.'"²³

Cartoonist/humorist Gahan Wilson: "I think it was S.J. Perelman who said that the requisite for any humorist is an unhappy childhood....For most creative people, there's a great deal of storm and stress associated with it, one way or another. Mine was plenty traumatic."²⁴

Comedy writer Diane English: "The definition of a comedy writer is somebody who did not have a pleasant childhood...and I can definitely put myself in that category."²⁵

Comedian Jim J. Bullock: "Most comedians come from dysfunctional families."²⁶

I think we can safely conclude from all the aforegoing personal testimonials and personal observations by those in a position to know, that many influential actors and comedians are not exactly psychologically "normal" or healthy. Add to them the many drug-using, promiscuous, influential rock 'n' roll stars.

Given all that, is it any wonder sexual exploitation (i.e. promiscuity) is becoming more and more acceptable? And extra-marital cheating a la Bill Clinton? Is it any wonder we have an epidemic of sexually transmitted diseases? A high divorce rate? A high teen suicide rate?

Is it any wonder we have a high out-of-wedlock birth rate? So many young girls becoming mothers? So many fatherless homes? "Gang-banging" kids killing other young gang members? It seems like the patients are taking over the asylum.

If we are ever going to durably reverse these trends, if we are ever going to reduce/eliminate the influence of depraved people, we are going to have to do a much better job of learning and imparting moral truths.

But we don't teach morality like we teach math or physics or English. We hardly teach morality at all; and it's such a complex subject it's difficult to expect people to learn it on their own.

As a society, we not only need to learn how to logically defend our values; but once we learn that, we must teach our children those logical defenses. If we don't, we can't expect them to blindly or automatically adopt those values. It's just not realistic.

2. Jorge Casuso, "Learning to say no on film," Chicago Tribune, March 5, 1992, section 1, p. 19.

3. Michael Kilian, "For Stacy Keach, Richard III heralds winter of his content," Chicago Tribune, Oct. 7, 1990, section 5, p. 6.

4. Clarence Petersen, "You'll Never Eat Lunch in This Town Again," Chicago Tribune, March 8, 1992, section 14, p. 2.

5. Walter Scott, "Walter Scott's Personality Parade," Parade, March 3, 1996, p. 2.

6. Hilary de Vries, "Happily ever after," Chicago Tribune, Aug. 9, 1998, section 7, p. 15.

7. Michael Wilmington, "'Midnight' only sometimes gutsy account of writer's double life," Chicago Tribune, Sept. 18, 1998, section 7, p. L.

8. Stephanie Mansfield, "Wild & Woody," USA Weekend, July 5-7, 1996, p. 5.

9. Cheryl Lavin, "Dumb like a fox," Chicago Tribune, Aug. 24, 1997, section 10, p. 16.

10. Peter Keough, "Taking it off takes off," Chicago Tribune, April 30, 1995, section 13, p. 3.

11. Jon Anderson, "The lackluster world of Hollywood glitterati," Chicago Tribune, April 16, 1992, section 5, p. 3.

12. Jacqueline Fitzgerald, "Merlin, we beg thee, thy magic, we need some here at the office," Chicago Tribune, Aug. 28, 1995, section 4, p. 3.

13. Nancy Mills, "Real Life," Chicago Tribune, Jan. 7, 1996, section 13, p. 6.

14. Michael J. Bandler, "Vim & Venom," Chicago Tribune, June 28, 1992, section 6, p. 8.

15. Michael Gross, "Celebrity shakeout," Chicago Tribune, May 29, 1991, section 5, p. 3.

16. Anthony Adler, "Alone, together," Chicago Tribune, June 28, 1992, section 13, p. 12.

17. Bettina Drew, "Husbands and Lovers," Chicago Tribune, Oct. 20, 1996, section 14, p. 3.

18. Cindy Pearlman, "Actor Slater gets his life together after stint in jail," Chicago Sun-Times, Sept. 27, 1998, "Showcase" section, p. 3E.

19. Abbie Jones, "Cleese's clinic," Chicago Tribune, April 11, 1993, section 5, p. 3.

20. Hugh Hart, "King of the road," Chicago Tribune, Aug. 8, 1991, section 5, p. 3.

21. Diane Joy Moca, "'Living Color's' Jim Carrey flies solo on cable," Chicago Tribune, Nov. 16, 1991, section 1, p. 26.

22. Lawrence Grobel, "One Banana Peel After Another," Parade, Aug. 3, 1997, p. 8.

23. Mal Vincent, "'A Bug's Life' gives Diller the royal treatment," Chicago Tribune, Dec. 17, 1998, section 5, p. 9C.

24. John Blades, "Dead-on humor," Chicago Tribune, April 26, 1991, section 5, p. 2.

25. Michael J. Bandler, "Creative force," Chicago Tribune, Feb. 16, 1992, section 6, p. 4.

26. Ed Bark, "Jim J., Tammy Faye an intriguing team," Chicago Tribune, Jan. 27, 1996, section 1, p. 24.